Nicolas Creel is a man on a mission. He heads up the world’s largest defense contractor. Dick Pender is the man Creel retains to “perception manage” his company to even more riches by manipulating international conflicts. But Creel may have an even grander plan in mind.
Shaw, a man with no first name and a unique past, works for a secret multinational intelligence agency by traveling the globe to keep it safe and at peace. Desperate to get back to the top of her profession, journalist Katie James gets the break of a lifetime: the chance to interview the sole survivor of a massacre that has left every nation horrified. In this international thriller, these characters face a catastrophic threat that could change the world as we know it.
At precisely Zero Hours UT, or midnight Universal Time, the image of the tortured man erupted onto the world’s most popular Web site.
The ﬁrst six words he spoke would be remembered forever by everyone who heard them.
“I am dead. I was murdered.”
He was speaking Russian on the screen but at the bottom his tragic story was retold in virtually any language one desired with the press of a key. Secret Russian Federation police had beaten “confessions” of treason out of him and his family. He’d managed to escape and make this crude video.
Whoever held the camera had either been scared to death, drunk, or both, for the grainy ﬁlm vibrated and shook every few seconds.
The man said if the video had been released that meant he’d been recaptured by government thugs and was already dead.
His crime? Simply wanting freedom.
“There are tens of thousands just like me,” he told the world. “Their bones lie heavy on the frozen tundra of Siberia and in the deep waters of Lake Balkhash in Kazakhstan. You will see evidence of this soon. There are others who will take up the ﬁght now that I am gone.”
He warned that while the world had focused on the Osama bin Ladens of the world for so long, the old evil, with a destructive force a million times greater than the combined Islamic renegades, was clearly back, and deadlier than ever.
“It is time the world knew the whole truth,” he shouted at the camera, then broke down in tears.
“My name is Konstantin. My name was Konstantin,” he corrected. “It is too late for me and my family. We are all dead now. My wife, my three children, all gone. Do not forget me, and why I died. Do not let my family perish in vain.”
As the man’s image and voice faded from view, a mushroom cloud lit up the screen, and superimposed on the bottom of this horrifying visual was the ominous tagline: First the Russian people, then the rest of the world. Can we afford to wait?
The production values were rudimentary, the special effects amateurish, but no one cared about that. Konstantin and his poor family had made the ultimate sacriﬁce so that the rest of the world would have a chance to live.
The ﬁrst person to see the video, a computer programmer in Houston, was stunned. He e-mailed the ﬁle to a list of twenty friends on his share list. The next person to view it seconds later lived in France and suffered from insomnia. In tears, she sent it to ﬁfty friends. The third viewer was from South Africa and was so incensed at what he’d seen that he phoned the BBC and then did an e-mail blast to eight hundred of his “closest” mates on the Web. A teenage girl in Norway watched the video in horror and then forwarded it to every person she knew. The next thousand people to view it lived in nineteen different countries and shared it with thirty friends each, and they with dozens each. What had started as a digital raindrop in the Internet ocean quickly exploded into a pixel-and-byte tsunami the size of a continent.
Like a spreading pandemic, the video ignited a maelstrom worldwide. From blog to blog, chat room to chat room, e-mail to e-mail, the story passed. With each retelling it grew in proportion until the globe was in apparent jeopardy of being overrun at any moment by crazy, bloodthirsty Russians. Within three days after Konstantin’s sad proclamation, the world rang with his name. Soon half the earth’s population, including many who had no idea who the U.S. president or the pope was, knew all about the dead Russian.
And from the e-mail, blog, and chat room circuits the story was picked up by newspapers on the outskirts of the mainstream. And then the likes of the New York Times, the Wall Street Journal, and leading dailies around the world were sucked into the frenzy, if for no other reason than it was what everyone was talking about. From there, it hit the global TV circuit, with everyone from Channel One in Germany to the BBC to ABC News and CNN to government-run TV in China heralding a possible new doomsday era. And from there it became ﬁrmly planted in the world’s collective mind, soul, and conscience, becoming the number one story to such an extent that there were no other stories anyone cared about.
The rallying cry of “Remember Konstantin” was heard on the lips of people on all seven continents.
The Russian government issued emphatic denials to all of it. Russian president Gorshkov even went on international television to denounce it as a complete and total lie and offered up what he called “slam dunk” evidence that no such person as Konstantin had ever even existed. Yet not many people believed him. Gorshkov was ex-KGB. From top to bottom, the Russian government was ﬁlled with fascist demons; journalists across the world had been informing people of that for years. It was just that up to this moment no one had really cared, because, well, it hadn’t interfered with their lives. Now they had dead Konstantin and a mushroom cloud on the Internet telling them that it suddenly mattered very much.
There were certainly plenty of skeptical people out there who held serious doubts as to who and exactly what Konstantin and his video were actually supposed to represent. These same people would start to investigate the supposedly dead man and his story. Yet for many others they had heard and seen all they needed to unequivocally make up their minds.
But Russia and the rest of the world would never discover that Konstantin was actually a ﬂedgling actor from Latvia, his “wounds,” and “emaciation” the result of clever makeup and professional lighting. After shooting his piece he’d washed up, removed all elements of his disguise, and had a nice lunch at, of all places, the Russian Tea Room on 57th Street in New York, spending part of the $50,000 he’d been paid to do the shoot. Since he also spoke Spanish and possessed dark good looks and a chiseled body, his chief ambition now was to win a major role in a Latino soap opera.
Meanwhile, the world would never be the same.